Alice Channer (b. 1977, Oxford, UK) lives and works in London, UK. She uses sculpture to stretch out, slow down and speed up industrial and post-industrial production processes. Her work aims to make these processes more visible to herself and to others, and to attune us to the multiple embodiments and disembodiments involved. Using materials ranging from spider crab shells and stainless steel to pelletised and recycled plastic and pleated silk, her work traces the disappearance, mutation and possible evolution of multiple bodies in post-industrial environments. Recent exhibitions include Tate Britain, UK (2019); Whitechapel Gallery, UK (2018); Aspen Art Museum, USA (2017); and Kunsthaus Hamburg, Germany (2017).